Henry Bial boeken - The Performance Studies Reader
Following on from the highly successful first anthology of critical and theoretical writings on performance studies, this is an updated and significantly expanded seco
Contributors xii Acknowledgements xix Introduction 1 (4) Henry Bial PART I What is performance studies? 5 (54) Performance studies: the broad spectrum approach 7 (3) Richard Schechner Disciplines of the text: sites of performance 10 (16) W.B. Worthen The liminal-norm 26 (6) Jon McKenzie Professing performances: disciplinary genealogies 32 (11) Shannon Jackson Performance studies 43 (13) Barbara Kirshenblatt Gimblett Performance studies in an age of terror 56 (3) John Bell PART II What is performance? 59 (28) Performances: belief in the part one is playing 61 (5) Erving Goffman Blurred genres: the refiguration of social thought 66 (4) Clifford Geertz What is performance? 70 (6) Marvin Carlson Life the movie 76 (2) Neal Gabler Marina Abramovic: witnessing shadows 78 (9) Peggy Phelan PART III Ritual 87 (48) Liminality and communitas 89 (9) Victor Turner ``Performance'' and other analogies 98 (9) Catherine Bell ``The blood that runs through the veins'': the creation of identity and a client's experience of Cuban-American Santeria Dilogun divination 107 (11) Michael Atwood Mason Saint Orlan: ritual as violent spectacle and cultural criticism 118 (7) Alyda Faber Performative commemoratives, the personal, and the public: spontaneous shrines, emergent ritual 125 (10) Jack Santino PART IV Play 135 (40) The nature and significance of play as a cultural phenomenon 137 (4) Johan Huizinga A theory of play and fantasy 141 (11) Gregory Bateson The ambiguity of play: rhetorics of fate 152 (7) Brian Sutton-Smith Just doing 159 (5) Allan Kaprow Falling apart to stay together: deep play in the Grand Marais Mardi Gras 164 (11) Barry Jean Ancelet PART V Performativity 175 (42) How to do things with words: lecture II 177 (7) J.L. Austin Excerpt from ``Signature Event Context'' 184 (3) Jacques Derrida Performative acts and gender constitution: an essay in phenomenonology and feminist theory 187 (13) Judith Butler Introduction to Performativity and Performance 200 (8) Andrew Parker Eve Kosofsky Sedgwick Theater and anthropology, theatricality and culture 208 (9) Johannes Fabian PART VI Performing 217 (46) A dialogue about acting 219 (4) Bertolt Brecht The actor's technique 223 (6) Jerzy Grotowski A dream of passion 229 (2) Lee Strasberg Presenting and re-presenting the self: from not-acting to acting in African performance 231 (18) Frances Harding Reconsidering Stanislavsky: feeling, feminism, and the actor 249 (14) Rhonda Blair PART VII Performance processes 263 (58) First attempts at a stylized theatre 265 (9) Vsevolod Meyerhold The oral artist: training and preparation 274 (6) Isidore Okpewho The performance text 280 (20) Marco de Marinis The deep order called turbulence: the three faces of dramaturgy 300 (10) Eugenio Barba The archaeology of performance 310 (11) Mary Zimmerman PART VIII Global and intercultural performances 321 (66) Performing ethnography 323 (14) Victor Turner Edie Turner Of mimicry and man 337 (8) Homi K. Bhabha Culturas-in-extremis: performing against the cultural backdrop of the mainstream bizarre 345 (12) Guillermo Gomez-Pena Reverend Billy: preaching, protest, and post-industrial flanerie 357 (12) Jill Lane Performance studies: interventions and radical research 369 (12) Dwight Conquergood Translating performance 381 (6) Diana Taylor Index 387
| ISBN | 9780415772754 |
| PAGINA’S | 394 |
| VERSCHENEN | 05-04-2011 |
| DRUK | 1e druk |
| UITVOERING | Zachte kaft |
| TAAL | Engels |
| UITGEVER | Taylor & Francis |
| Levertijd: ongeveer 4-6 werkdagen |
Andere boeken van Henry Bial
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Henry Bial - Acting JewishCHAPTER 1 Performance Studies, Mass Culture, and the Jewish Problem 1(29) CHAPTER 2 Acting Jewish, 1947-1955 30(29) CHAPTER 3 Fiddling on the Roof 1964-1971 59(27) CHAPTER 4 How Jews Became Sexy, 1968-1983 86(21) CHAPTER 5 The Desire to Remember,…
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